A young woman gets drawn into a supernatural system with Bible characters working undercover to help people today.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

A health inspector's presence at a mysterious drug deal reveals a dark truth.

The plot takes place in 1880, in the city of Rio de Janeiro, following the lives of three strong and determined women. Aurélia, Maria da Glória and Mila are great friends who attend etiquette classes together, but life doesn't take long to put them in completely different directions.

Mary is catapulted into a horrific struggle to right old wrongs when she discovers the bones of the missing and murdered babies of an Indian residential school.

Before heading off to college, a teenager and her two friends try to seduce a married man.

Simon moves from Copenhagen to Vesterby, where he meets Bjarke - the city's alpha male and heir to the local speaker empire. The two outsiders begin to challenge each other in cross-border actions, and the friendship grows. But when fraud forces the loudspeaker factory to go bankrupt, the city disintegrates, and Bjarke's family is blamed. Anger arouses the beast in Bjarke, and Simon must now choose whether to try to save his friend or withdraw from the course that Bjarke has set - towards his and Vesterby's downfall.

After badly bungling a pitch meeting, middle manager Thomas Benson is determined to win back the client but feels undermined by his team. Is someone really out to get him? And can Bartlett create the same paranoid intensity from workplace bullying as he did with a betrayal in the home?